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The LUPEC Boston cocktail column in the Weekly Dig is slightly expanded for the annual Summer Dining issue, out this week. With the help of my fellow LUPEC broads, Hanky Panky and Pinky Gonzales, I (Barbara West) encapsulate the history of tiki drinks. We start out with this fact, which surprises a lot of people: the tiki bar phenomenon began in Hollywood, California, in 1934 — right after Prohibition. Also, as anyone over the age of 50 can tell you, there used to be a ton of tiki bars in Boston.

One of our sources, cocktail historian Brother Cleve, suggested a favorite tiki drink of his, the Shrunken Skull, as our featured cocktail for the column. He and his fellow tiki expert, Jeff “Beachbum” Berry, whose books reveal the original recipe for the Shrunken Skull and scores of other tiki drinks, are hosting a tiki block party July 19 in New Orleans at Tales of the Cocktail.

Check out LUPEC Boston’s blog post about where to get tiki drinks around eastern Mass., and enjoy shrinking your skull with this:

Shrunken Skull (adapted from Beachbum Berry’s Grog Log)

1 oz Cruzan Estate light rum (aged two years)
1 oz Demerara rum
1 ounce fresh lime juice
1 ounce grenadine
dash of Angostura bitters

Shake with ice and pour into a skull mug. Top with 1/2 oz club soda.

Shopping for rum and other tiki ingredients? Here are some tips.

This post also appears on the LUPEC Boston blog as a companion piece to an article I wrote for the LUPEC Boston cocktail column in the latest Weekly Dig, which will be out in print tomorrow.

Which cocktails should be shaken and which ones should be stirred? If you’re a student of classic mixology, you might answer, “That’s easy. Drinks with eggs, dairy or fruit juices should be shaken, and ‘clear’ drinks made with only spirits, vermouth, etc. should be stirred.” OK, the first of those mandates is seldom disputed. Stirring an egg drink? Not gonna work. But shaking a Martini? James Bond has some surprising company here.

Take the respected Savoy Cocktail Book: its mixing instructions for clear drinks are all over the map; some recipes say “stir,” some say “shake.” New York Times restaurant critic William Grimes’ much-consulted book Straight Up or on the Rocks: the Story of the American Cocktail instructs you to shake a Martini. Even the “Professor,” Jerry Thomas, “couldn’t make up his mind whether the Cocktail is shaken or stirred,” writes David Wondrich in Imbibe! “His brandy Cocktail calls for the spoon, his gin and whiskey ones the shaker. Nor are his professional colleagues much help … Judging by the numerous depictions of ‘tossing the foaming cocktail’ back and forth in a huge arc, in the 1860s and 1870s consensus favored this method — or perhaps it was just the more picturesque one and hence was noticed more often.”

That consensus still holds in, like, 99 percent of modern bars. Most drinkers like the theatricality of a shaken drink, and most bartenders are happy to oblige, especially since it’s easier for them to employ only one mixing technique. Sure, your Grey Goose with olives will be cloudy with air bubbles, but it’ll be drinkable.

Is “drinkable” good enough when you’re paying $10-$15 for a cocktail? If you gravitate toward clear mixtures, as I often do, the answer is probably “no.” There’s something about a Martini, a Manhattan, a Saratoga or a Gin and It that has been deftly swirled over ice for a good minute, then strained into a chilled cocktail glass without a trace of agitation. What you get is a shimmeringly transparent drink that looks and tastes that much more elegant than its shaken sibling. And consider this: a bartender who takes the time to stir a cocktail is likely going to get its proportions and temperature right, too. Time to re-think your drink, Bond.

Another lost cocktail ingredient is being found around Boston: pimento dram. I was served two different cocktails containing the stuff in the span of 24 hours recently.

First up was the Passenger Pigeon. Cocktail enthusiast Fred Yarm invented this drink for, get this, his International Migratory Bird Day party. As if winning the Drinking to Obscure Occasions prize weren’t enough, Fred and his consort, Andrea, put together an astonishing list of 20 cocktails named after birds — all classics except for two that Fred created and one by Robert “Drinkboy” Hess. Since I had only tasted pimento dram, a liqueur of Jamaican origin, at the Lost Ingredients session at Tales of the Cocktail last summer, I went straight for the drink that featured it. “Ah, that’s one of mine,” said Fred.

Passenger Pigeon
2 oz Calvados
1/2 oz pimento dram
1 dash Angostura bitters
Stir with ice and strain into a cocktail glass.

Fred says, “The concept of the drink started as a rye drink with the pimento dram, but rye did not work well with the flavors as it was; perhaps some sweet vermouth could have rectified that. Instead I substituted the rich-flavoredness of Calvados to balance things out.” Not a bad drink at all. The Calvados dominated the first few sips, but the allspice flavor of the pimento dram intensified as the drink warmed a bit.

That’s right: allspice. Pimento is the Caribbean term for this clove- and cinnamon-like berry. But since North Americans think “olives” or “loaf” or even “cheese” when they hear the word pimento, the company that reintroduced pimento dram to the spirits market, Haus Alpenz, is calling it St. Elizabeth Allspice Dram. I think “pimento dram” is more poetic, but, alas, Haus Alpenz owner Eric Seed wants this product to appeal to a demographic beyond those who collect out-of-print bartender’s manuals and read Imbibe magazine. (See Misty Kalkofen’s post about Seed on the Tales of the Cocktail blog.)

The next night, Michael O’Donovan of Highland Kitchen used the St. Elizabeth in a vintage recipe from CocktailDB:

None But the Brave
1 1/2 oz brandy
1/2 oz pimento dram
1/4 oz lemon
1/4 oz rum
1/4 tsp sugar
Shake over ice and strain into a cocktail glass.

“I think I’ve been making it with a touch more lemon, rum, simple [syrup], and have added bitters. It can, however, get overly sweet and allspiced very quickly,” said Michael. The drink he made me was good, and I’m certainly willing to participate in further experimentation.

If anyone knows the origin of this drink, please chime in, because I and others have come up dry. None But the Brave is the title of a 1965 movie, directed by and starring Frank Sinatra, about Japanese and American soldiers stuck on a Pacific island during WWII. But why would anyone dedicate a cocktail — especially one with these ingredients — to such a film? Anyway, it seems unlikely that a drink with such an unmodern combination of spirits would have been created as late in the 20th century as that.

The phrase goes way back, actually. “None but the brave deserves the fair” is a line in the 1697 John Dryden poem “Alexander’s Feast.” The poem depicts Alexander the Great celebrating at a victory banquet after conquering the Persian Empire in 331 B.C. The “brave” refers to the Greek king, of course; the “fair” refers to Thais, a famous courtesan who is Alexander’s date at the soirée. So, at least we’ve narrowed down the birth date of the None But the Brave cocktail to somewhere between 1697 and 1965.

Further reading:

Cocktailchronicles.com blogger Paul Clarke wrote recently about pimento dram in the San Francisco Chronicle.

Chuck Taggart, who writes the Gumbo Pages, came up with a good recipe for pimento dram a couple of years ago. He then created his own pimento dram cocktail, the Reveillon.

Boston mixologists, including Michael (above) from Highland Kitchen and Stephen Shellenbergers of Dante, among others, are making their own pimento dram.

And as more Boston bars stock this liqueur, you might want to order a …

Lion’s Tail
(from cocktaildb.com)
2 oz bourbon
1/2 oz pimento dram
1/2 oz lime
4 dashes simple syrup
1 dash Angostura bitters
Shake well over ice and strain into a cocktail glass.

If you couldn’t get into the sold-out World Cocktail Day party at Green Street on Tuesday, I’m sorry to tell you that it was a ton o’ fun. In fact, it was an evening I was downright thankful for. It marked the end of World Cocktail Week, whose frivolity contrasted unavoidably with a coinciding spate of tragedies: the cyclone in Myanmar, the earthquake in China, tornadoes in the U.S. (not to mention the continuing grimness in Iraq, Afghanistan, etc, etc, etc). I’m not trying to bring anyone down here. I’m just saying there were times during the evening when I paused, soaked up the good vibe among the crowd and thanked my lucky stars.

Our guest bartenders, four knowledgable and talented New England gentlemen, each mixed a vintage cocktail of their choice, then went from table to table recounting that libation’s origins and moment in history. They time-traveled from 1870s San Francisco to an 1880s bartender’s manual to the Spanish-American War (1898) to an early 20th-century obsession with songs about maidens. The cocktails (below) were accompanied by flatbread pizza, beef tongue tacos and other tasty treats from the Green Street kitchen. We started with an innocent-seeming Maiden’s Prayer and ended with a brassy Remember the Maine, at which point the joke was whether anyone would remember the Maine.

Maiden’s Prayer
by Tom Schlesinger-Guidelli of Eastern Standard

3/4 oz Plymouth Gin
3/4 oz white rum
3/4 oz lemon juice
1/2 oz Cointreau
1 dash orange bitters
Shake well over ice, strain into a cocktail glass, and garnish with a flower. Based on a variation (circa 1930) of the original (circa 1907), which may have been inspired by a hit piano tune of the late 1800s.

Nicol’s Secret Pisco Punch (without cocaine)
by John Gertsen of No. 9 Park

6 parts BarSol pisco
3 parts lemon juice
2 parts pineapple syrup
1 part water
Shake, strain into a cocktail glass, and garnish with pineapple. The recipe originated with Duncan Nicol, the proprietor of San Francisco’s Bank Exchange saloon from the late 1870s until Prohibition. The secret’s out: a wee bit of gum arabic (which comes in a white powder — get it?) makes this a silky sweet punch.

Bijou
by Brother Cleve, cocktail historian and mixologist

1/3 Plymouth Gin
1/3 sweet vermouth
1/3 green Chartreuse
1 dash orange bitters
Stir well over ice and strain into a chilled cocktail glass. Garnish with a cherry or a lemon twist. A Golden Age cocktail dating back to Harry Johnson’s Bartender’s Manual in 1882.

Remember the Maine
by John Myers, Portland, Maine-based bartender and cocktail historian

1 1/2 oz good rye whiskey or bourbon (i.e. Maker’s Mark)
3/4 oz sweet vermouth
1-2 tsp of cherry brandy
1/2 tsp absinthe or Pernod veritas
Stir well over ice and strain into a chilled cocktail glass with a lemon twist. Named for the rallying cry of the Spanish-American war, the cocktail is described in Charles H. Baker Jr.’s The Gentleman’s Companion (1939). Myers’ note: “Any absinthe substitute will work, but the ‘cherry brandy’ is up for some interpretation. Different drinks occur — but still work, so little is deployed — if Cherry Heering or maraschino are used.”

World Cocktail Day at Green Street benefited the Museum of the American Cocktail, which launched World Cocktail Week. Plymouth Gin, Maker’s Mark bourbon and BarSol Pisco were the evening’s sponsors. Many thanks to Green Street bar manager Misty Kalkofen, owner Dylan Black and everyone else in the kitchen, behind the bar and out on the floor for totally kicking ass.

Look, a cool new event!

World Cocktail Day
Tuesday, May 13, 7:00 p.m.
Green Street restaurant, 280 Green St., Central Square, Cambridge
Tickets $35
Reservations recommended: call Green Street at 617-876-1655

This is gonna be fun. On Tuesday, May 13, drinkboston and Green Street restaurant will celebrate World Cocktail Day with a party to benefit the organization that launched the event: the Museum of the American Cocktail. World Cocktail Day is the culmination of a series of international festivities marking World Cocktail Week. We will join revelers in Aspen, Australia, Chicago, New Orleans, New York, San Francisco, Seattle, St. Louis and Singapore.

The Museum of the American Cocktail established World Cocktail Week “to celebrate the rich history of cocktails and recognize the craftsmanship and skill of the bartenders who have been mixing them for over 200 years.” Established in 2005 and forced into limbo by Hurricane Katrina, the Museum reopens on July 21 (right after Tales of the Cocktail) in its original hometown, New Orleans. It will be housed with the Southern Food & Beverage Museum at the Riverwalk Mall, just outside the French Quarter. If you want rock-solid cred within the cocktail community, become a member.

Green Street’s bar manager, Misty Kalkofen, and owner, Dylan Black, and I have invited four notable bartenders to mix and discuss a vintage cocktail of their choice, with a range of styles and eras represented.

Brother Cleve, cocktail historian and mixologist
Bijou (gin, sweet vermouth, green Chartreuse, orange bitters), a Golden Age cocktail dating back to Harry Johnson’s Bartender’s Manual  in 1882, and featured in the 1930 Savoy Cocktail Book of recipes served in London’s Savoy Hotel during American Prohibition.

John Gertsen, principal bartender of No. 9 Park and named one of America’s top bartenders by Playboy magazine
Nicol’s Secret Pisco Punch (pisco, pineapple syrup, lemon juice, water), created in San Francisco in the 1870s using Peru’s clear, unaged brandy.

John Myers, Portland, Maine-based bartender and cocktail historian and co-founder of the Museum of the American Cocktail
Remember the Maine (good rye or bourbon, sweet vermouth, cherry brandy, absinthe or Pernod), described in Charles H. Baker Jr.’s The Gentleman’s Companion, published in 1939. “Stir briskly in clock-wise fashion — this makes it sea-going, presumably!” wrote Baker.

Tom Schlesinger-Guidelli, bartender at Eastern Standard Kitchen & Drinks
Maiden’s Prayer (gin, white rum, lemon juice, Cointreau, orange bitters), based on a variation (circa 1930) of the original (circa 1907), which may have been inspired by a hit piano tune of the late 1800s.

To reserve tickets by credit card, call Green Street at 617-876-1655. Tickets are $35 and include four cocktails and passed appetizers. Green Street is accessible via the Central Square stop on the MBTA red line.

Thanks to the following Museum sponsors for their donations: BarSol Pisco, Cointreau liqueur, Depaz Rhum, Makers Mark, Pernod Ricard and Plymouth Gin.

If you attended LUPEC Boston’s Ladies Night at Toro on Sunday, it’s entirely possible that the sea of bodies filling the room prevented you from noticing that the Ladies United for the Preservation of Endangered Cocktails were selling a book. That’s OK, because for $15 you can still get a copy of the Little Black Book of Cocktails: Namesake & Favorite Recipes by LUPEC Boston.

It’s a great-looking little volume, and it’s for a good cause. Cambridge photographer Matt Demers took photos of all the Ladies as part of what he calls his “pearls project” — portraits of a variety of women he knows, inspired by the iconic Eugene Richie portrait (below) of 1920s film actress Louise Brooks. Damned if that Matt doesn’t have a way of making everyday gals look like glamour-pusses. We (yes, I am a founding member of LUPEC Boston) were so pleased that we decided to put our photos together in a book, along with cocktail recipes, and give the proceeds from the books’ sales to an organization that seriously helps women feel better about their appearance. That organization is the Friends Boutique at the Dana-Farber Cancer Institute, which provides wigs, prosthetics, scarves and other items to people dealing with the side effects of cancer treatment.

Each portrait in the book is accompanied by recipes for the subject’s namesake cocktail (mine’s the Barbara West) and two favorites (I chose the Jaguar and the Maharaja’s Revenge, by two of Boston’s best bartenders). The book contains roughly 40 recipes, all classics or inspired by classics.

Instructions for ordering the Little Black Book by mail are on the LUPEC Boston blog. And starting this weekend, you can purchase a copy at Magpie (617-623-3330) in Davis Square, Somerville, or Buckaroo’s Mercantile (617-492-4792) in Central Square, Cambridge. But give these places a call first to make sure they’re not sold out.

Drinkboston contributor Scott Howe was trying to explain Tales of the Cocktail to his fellow office workers, most of whom have never sampled a Sazerac, never mind traveled to the Deep South in midsummer to discuss the history of the Martini. The notion of a “cocktail conference” wasn’t quite registering with them. As they gave him quizzical looks, he hit upon an analogy. “It’s like MacWorld for drunks.” They nodded in understanding.

Tales isn’t just a conference. It’s a giant, week-long, educational cocktail party in the birthplace of the cocktail, New Orleans. And it’s a pilgrimage that every Craft Cocktail Convert in the nation makes at least once to anoint him/herself with Peychaud’s bitters. Where else can people attend classes where the instructors serve drinks and don’t assign homework?

Tickets for Tales of the Cocktail, which takes place July 16-20 at the Hotel Monteleone in the French Quarter, go on sale today. If you’re thinking of going and want to stay at the hotel, book your room ASAP — attendees get a special rate of $99/night. All the info you need about seminars, events, dinners, hotel reservations, sponsors, etc. is on the Tales website.

Oh, and for the first time this year, there’ll be a group blog, Blogging Tales of the Cocktail: 2008, where drinks bloggers from around the country (me included) review seminars and discuss their experiences, among other topics. In case you missed my impressions from last year’s TOTC, click here.

Established: 2001
Specialty: Cocktails, beer, wine
Prices: Moderate
Atmosphere: Take your pick — attractive neighborhood eatery on one side; cozy pub with board games and TV screens on the other.
See Best Boston bars for address and contact info.

The Independent in Somerville’s Union Square is kind of like that middle sister who, after an awkward adolescence in which she was often overshadowed by her older and younger siblings, grew up to be the attractive, smart girl who’s really easy to hang out with.

The Indo, as regulars call it, has made a series of tweaks to its concept over the years, trying to achieve the magic trick of appealing to a wide-ranging clientele while cultivating its own identity. Chefs have come and gone, as have periods of sub-par food. Funky cocktail-lounge seating has been installed and removed, cheese tastings and poker nights have had their run, and live musical acts have mostly given way to iPod playlists. Fortunately, in the past couple of years, the food, the drink, the service and the concept have all settled into a nice groove.

I’m partial to the drink, of course. The Indo’s general manager, Jess Willis, is responsible for resurrecting vintage cocktails in Somerville. The frequently updated menu has included such gems as the Algonquin, the El Presidente, the Gin and It, and the Perfect Pal (Rittenhouse rye, Aperol, sweet and dry vermouth). Head bartender Evan Harrison is bringing his own enthusiasm for old-school mixology to the program, as well as helping to expand and improve the Indo’s beer list.

Evan, his fellow bar crew, and the servers on the floor have a laid-back but professional style. Chef Paul Oberhauser’s kitchen does a nice job with seasonal ingredients and satisfyingly simple dishes like steak frites and panko breadcrumb-crusted cod with bacon and clams. The burgers are good, too.

One of the nicest things about the Indo is that you can choose between two different spaces: the pub, a good place to watch the game or drink with a group of friends; and the restaurant, if you want to feel more like you’re having an Evening Out. Either way, the food and drink stay the same, as do the reasonable prices: $7-$9 for cockails, $5-$7 for most beers, and $13-$24 for entrées.

“Shake well with ice.”

The vast majority of recipes for straight-up cocktails instruct you to do this, but what does shaking (or stirring) “well” really mean? I occasionally give advice to home bartenders, and the main thing I find myself repeating is, “Shake/stir your cocktail until it’s really, really cold. You can leave a cocktail on ice longer than you think.” People are always surprised to hear this, because they heard somewhere once that bartenders are shiftless characters who will carelessly “water down” your drink unless you keep them on their toes. It’s not until these misguided drinkers have tasted a cocktail that’s been properly watered down, by a skilled bartender who knows his/her way around a shaker, that they realize what they’ve been missing during all those years of drinking tepid, poorly mixed booze.

But I find myself at a loss when the person I’m advising asks, “OK, but for how long do I shake the drink?” Well … it depends on the cocktail, the ice, the vigorousness of the shaking … In short, there’s not really a standard response. So I’m offering here the next best thing: expert advice. I posed these questions to several of Boston’s best bartenders: “How do you gauge when a cocktail’s cold enough — when your hand aches from holding the icy shaker? Do you count the number of shakes/stirs? For the home bartender’s sake, can you estimate the number of seconds (or even minutes) a typical cocktail should take to chill perfectly?” Their responses are below. Read them, and you’ll be able to wow the guests of your next cocktail party by demonstrating a “dry integration shake.”

NOTE: I didn’t really get into the whole matter of different types of ice, which some bartenders obsess over in their quest for the perfectly chilled drink. (That’ll be the subject for another day — this post’s long enough). That said, if you don’t have a Lewis Bag in your house, make sure you read to the end.

Rob Kraemer, Chez Henri

I go ’til my hand sticks to the shaker, probably under 20 seconds if shaking hard. Too long dilutes the drink fast, but I’m interested to see what other responses you get, as I don’t even think about it.

Ben Sandrof, No. 9 Park

As far as shaking a drink, I usually give egg drinks about a minute of shaking, unless of course it’s a fizz, in which case it’s a bit longer. If it’s a stirred cocktail, about 20 seconds does the trick. The key is that we are looking for approximately 20 to 30 percent ice melt in the cocktail, as well as the appropriate amount of chill. I could be a real nerd and tell you that there is a thermometer on hand to make sure the drinks are, as finished products, between 28 and 30 degrees, but let’s not go there yet…

Brother Cleve, freelance mixologist and cocktail historian

“When your hand aches from holding the icy shaker.” That’s really when I put it down. I recall going to the Blackbird in NYC when Dale DeGroff and Audrey Saunders were the bartenders, back in the late ’90s. I was really impressed with Dale’s shaking technique (over the shoulder, very fluid movements, and for a long time). I asked him about the length of time he would shake for, and he explained that he felt that the longer shaking time added, and mixed, the additional water the drink required to be balanced, especially since they used pretty large ice cubes. Generally, frost on the metal shaker indicates that it’s ready. I guess it works out to be a minute or two. I’ll shake longer if there’s dairy or eggs involved.

If I’m shaking with crushed ice, I do it for less time, as it adds more water at a more rapid rate. Same thing with blender drinks. Most tropicals should be done at high speed for five to 10 seconds, max.

Tom Schlesinger-Guidelli, Eastern Standard

In all honesty, I would say that both shaking and stirring are, at this point, second nature. It is really about feel, tasting a drink … is it balanced? Does it need more water to balance it out? Shaking or stirring are, at their most basic, about waterizing. I would say, in most scenarios, it is not necessarily about getting “appropriately cold” (though that is a wonderful secondary side effect). Instead, I think about properly waterizing that drink first, and how that usually offers you the proper temperature.

There are a number of different of types of shakes as well, each depending on what it is you are actually shaking. Many of Boston’s bartenders use a “dry shake” [a shake without ice, usually followed by a shake with ice] on egg drinks, arguing that it creates better texture in a drink. Some of us don’t necessarily buy into that philosophy. Then there is the “integration shake,” basically a quick two or three shakes, used to make the different liquids come together better. It’s one we use a lot, both for drinks like the Whiskey Smash, which ends up being strained over crushed ice, and for a lot of sparkling cocktails, like the Belle du Jour or even a French 75. In the Whiskey Smash example, you even use one further breakdown, a dry integration shake. It is for this reason that I think it is really hard to give an answer to “how long?” With a sort of mainstream everyday cocktail it is probably in the range of 30 or so shakes, maybe somewhere around 20 seconds.

In terms of stirring, I usually teach new bartenders to stir their cocktails until the shaker frosts over. That, to me, is kind of an easier distinction, particularly if you are stirring out of a [metal] shaker rather than a glass.

Now, a piece of advice from little old me: Before you make a cocktail at home, crack your ice. The cubes from your standard freezer tray are nice and hard and dense — much better in quality than most “quick-melt” bar ice, I’ve heard bartenders say — but, with their smooth surfaces, they’re a little too slow to melt in your shaker. So empty a tray of cubes into your Lewis Bag, and give the bag a few hard wacks with the accompanying wooden mallet. Cracked ice + ample shaking/stirring time = great cocktails.

I’ve been drafted to represent Tales of the Cocktail 2008 at the Boston Globe Travel Show this Friday and Saturday (February 22-23). TOTC Founder Ann Tuennerman is busy promoting her event elsewhere around the country, so I, along with Misty Kalkofen of Green Street, signed on for the job. Since Misty and I (and several of our fellow Boston cocktailians) are attending TOTC again this year, you’ll be hearing more about this be-there-or-be-square cocktail party as its time (July 16-20) nears. And, of course, there’ll be posts about the event during and after the fact, just like last year.

Misty’s and my presentation will involve a few cocktail demos, of course. Two of the featured drinks celebrate New Orleans and its cocktail history; the third gives Travel Show attendees a taste of what’s happening in today’s Boston scene. Try them out yourself while you plan your trip to New Orleans this summer. FYI, we used Hendrick’s gin (a TOTC sponsor) in the recipes below.

Obituary Cocktail

2 oz gin
1/4 oz dry vermouth
1/4 oz absinthe (or Herbsaint)

Stir all ingredients well over ice and strain into a cocktail glass. This cocktail was created at Jean Lafitte’s Blacksmith Shop on Bourbon St., one of New Orleans’ oldest saloons.

French 75

1 1/2 oz gin
3/4 oz fresh lemon juice
1/2 oz simple syrup
Champagne

Shake gin, lemon juice and simple syrup over ice. Pour into champagne flute or saucer and top with Champagne. The bar at the famous New Orleans restaurant, Arnaud’s, is named for this drink. The drink is, as you know, named for the rapid-firing cannon the French used in World War I.

Flapper Jane

1 3/4 oz gin
1/2 oz fresh lemon juice
3/4 oz Wu Wei tea-infused simple syrup*
dash of Peychaud’s bitters

Shake all ingredients over ice and strain into a cocktail glass. The Flapper Jane was created for the LUPEC Boston Tea Party.

*Wu Wei tea-infused simple syrup: heat 1 cup sugar, 1 cup water and 1 Tbsp Wu Wei tea in a saucepan until all the sugar dissolves. Pour into a container and let cool. Store in fridge.