Archive for the ‘’ Category
August 27th, 2010
Watch out when making off-hand remarks around Devin Hahn, author of the blog Periodista Tales. He will record everything you say. Then publish it. The thing is, you’ll be (mostly) thankful he did.
Hahn began writing the engaging, real-time narrative of his quest to find the origins of the Periodista — a drink found on multiple cocktail menus in Boston but apparently unknown in other cities — a mere few months ago. And already, the description of the Periodista on the menu at Eastern Standard pays homage to him. Already, cocktail historians around the country know about him.
In his most recent installment, he describes a sit-down we had at the Franklin Cafe to talk about this apparently Cuban cocktail (of which he now knows more than probably anyone alive) and other matters of the Boston drink scene.
If you dig cocktail history and haven’t checked out Hahn’s blog yet, I suggest you start from the beginning.
Tags: Cuba, Devin Hahn, Periodista
Posted in Books & resources, Cocktails, Rum, drinkboston in the news | No Comments »
August 19th, 2010
I’ve hit a wall — a wall of cocktails. No, I haven’t had too much to drink (the night is young). Rather, I can’t decide what to drink in the first place. There are too many cocktails out there. This is a fabulous problem.
Talented bartenders around the city are in a spasm of creativity. When they’re not creating new cocktails for their oft-rotating menus or to satisfy their individual customers’ nightly whims, they’re whipping up new recipes for liquor brand-sponsored contests and promotions. (And as we know, more and more bartenders are going further, moonlighting as mixologists for spirits companies.) At the same time, they’re continually digging old cocktails out of obscurity as re-printings of vintage bartending manuals proliferate.
Hence, I can always order something I’ve never had before at a half-dozen or more bars around town. What I end up with is usually pretty satisfying. But is it memorable? This is where I hit that proverbial wall. Either I don’t give enough cocktails a chance to cast a spell over my senses, or not enough cocktails are that magical in the first place.
I’m not going to get all Bernard DeVoto and say that there are only two cocktails, a slug of whiskey and a Martini (although those are on my desert island list). I’m saying that, like writing or filmmaking, cocktailing — both production and consumption — needs a little editing. Or sometimes a lot of editing.
And different kinds of editing, too. Think of a bar as a publishing house. There are the acquisitions editors, who curate the recipes according to the house philosophy and the season. There are the content editors, who pick apart a recipe, try different proportions, add a barspoon of this or a twist of that, and form it into a workable draft. There are the copyeditors, who refine things further by suggesting perhaps a different brand of gin or a flamed peel. And there are the proofreaders, who notice mistakes like a lipstick-stained glass or wilted mint.
The wrinkle, of course, is that the bartender has to fill most if not all these roles. The customer generally works in the proofreading department but sometimes takes on some copy and content editing, depending on his knowledge of cocktails and rapport with the bartender.
Customers have to be their own editors, too. If you, like me, have hit a cocktail wall, maybe you need to pare down a bit. Stick with, say, 10 different cocktails and get to know them over the course of a year. Choose depth over variety. After that period, you might have acquired enough wisdom, palate-wise, to quote Samuel Johnson to an up-and-comer behind the bar who just served you his fourth new creation of the evening: “Read your own compositions, and when you meet a passage which you think is particularly fine, strike it out.”
Tags: editing, mixology, technique
Posted in Cocktails | 8 Comments »
August 12th, 2010
A friendly reminder that this coming tax-free weekend doesn’t just apply to TVs, leather armchairs and solid-wood shellcases for your iPad. It also applies to booze. Have your eye on a bottle of green Chartreuse VEP ($130)? Strathisla 1967 Speyside scotch whisky ($175)? Remy Martin Cognac Louis XIII Grande ($1700)? Well, grab your shopping cart and boogie down the aisle of one of these fine establishments.
» Boston wins. Damned if Boston didn’t hit it out of the park during Tales of the Cocktail in July. First of all, more Boston bar industry folk represented our city at New Orleans’ annual drinks convention than ever before. Second of all, Drink won the Grand Marnier-sponsored Barroom Brawl, besting five other top-notch cocktail bars from around the U.S. and earning the title Best Bar in America. Third of all, Drink’s Misty Kalkofen won the Pisco Sour Pentathalon and will in the near future enjoy her prize: a trip to Peru to see how desert-grown grapes turn into white brandy. Congrats to all! Liza Weisstuch offers a vivid snapshot of the competition and, more generally, the Boston slant on Tales in today’s Phoenix. Good stuff.
» Remixology. Speaking of contests, there’s a new bar celeb in town: John Mayer of Cambridge’s Craigie on Main. A relatively new member of the staff there, he wowed everyone at the Appleton Estate Rum Remixology contest earlier this week with his mixing skills, sense of humor and ability to explain how a favorite song inspired a new cocktail. His presentation involved Frankie Valli’s “Sherry Baby,” a powder-blue brocade blazer, three mixing glasses spinning on a turntable, a small disco ball, a history lesson on Jamaica’s first prime minister — Alexander Bustamante — and the year 1962. He will compete in the national finals of the competition in NYC on August 30. Go, John! Here are recipes for the Bustamante and the other semi-finalists’ tasty drinks.
» Literature. Geoff “Psycho-Gourmet” Nicholson’s fantastic essay, Drink What You Know, appeared in the New York Times’ Book Review recently. He starts by comparing the advice writers dispense about drinking to the way they depict drinking in their literature, and arrives at his thesis:
“When you think about it, rules for drinking are not so different from rules for writing. Many of these are so familiar they’ve become truisms: Write what you know. Write every day. Never use a strange, fancy word when a simple one will do. Always finish the day’s writing when you could still do more. With a little adaptation these rules apply just as well for drinking. Drink what you know, drink regularly rather than in binges, avoid needlessly exotic booze, and leave the table while you can still stand.”
Read it. And then check out the response over at Jezebel: the Reader’s Drinking Game.
» History. I was putting off going to Plymouth to learn about Pilgrims until my retirement years, but now I have a reason to go earlier. Pilgrim Hall Museum (“America’s museum of Pilgrim possessions”) is running an exhibition called “Plymouth History in a Glass: The Artifacts and Culture of Beverages and Drinking” until December 31. Silver tankards. Ceramic punch bowls. Glass tumblers. Ooh, I’m getting hot flashes. Not only that, there are two related lectures: one on historic Plymouth-area taverns on August 25 and one on September 29 called “The Design of Drinking: from the Jazz Age to the Space Age.” Far out.
» Name that bar. What would you call a bar frequented by venture capitalists, entrepreneurs and hardworking graduate students from all over the world who converge on the high-tech cluster that is Kendall Square, Cambridge? The people behind the in-the-works “Venture Cafe” are seeking a more clever name than the working title for their “place-based social networking” project. They have partnered with restaurateur Gary Strack from Central Kitchen and the Enormous Room and are scouting Kendall Square locations for a 2011 opening. With any luck the place will liven up the woefully nightlife-less neighborhood. Got a suggestion for what to call the place? Chime in on their Facebook page.
Tags: Bustamante, Craigie on Main, Drink, history, John Mayer, Kendall Square, literature, Plymouth, Tales of the Cocktail, tax-free weekend
Posted in Bartenders, Booze in the news, Cocktails, New Orleans, Nips, Pisco, Rum | 1 Comment »
July 14th, 2010
Boston bar professionals, think of a song that really grabs you — one that makes you want to jump up on a table and sing into an empty beer bottle, or slow-ride in a convertible down Mass Ave., or grab a dark-haired stranger in a Buenos Aires cafe and do the tango. Translate that song into a cocktail with Appleton Estate Reserve Jamaica Rum. Submit your recipe and the tale of its musical inspiration by July 26. Why? You could win a trip to Jamaica — and global renown.
There are cocktail contests that are about chops and style, and there are cocktail contests that are about mixology and heritage. Then there’s Remixology. The brainchild of former Boston bartender Willy Shine and his consulting company, Contemporary Cocktails, Remixology mashes both traditions together — to the tune of your favorite song and featuring a quality rum. Here’s how it goes:
- Once all submissions are entered by July 26, 15 contestants will be chosen and featured on the Appleton Reserve Mixology Challenge and Contemporary Cocktails websites and in press materials.
- Five of the 15 will be selected to compete in August at Drink. This will involve “performing” your cocktail to the tune that inspired it, as well as mixing a second cocktail that is locally inspired (“No Charles River ice,” warns Willy.) Yes, you can sing and dance — but you don’t have to. Get creative. We’re not talking Tom Cruise or Coyote Ugly — you’re cooler than that.
- The top Boston finisher moves on to the finals in Manhattan August 30-31 to show bartenders from the other competing cities — NYC, Miami and San Francisco — who’s boss.
- The winner of the finals wins a red-carpet, all-expenses-paid trip to Jamaica in October to participate in the Global Showcase with bartenders from nine other countries.
How cool is that? Get all the details here. Represent for Beantown!
Tags: Appleton Estate Reserve Rum, bartending contest, cocktail contest, Contemporary Cocktails, music, Remixology
Posted in Bartenders, Cocktails, Rum | 3 Comments »
July 13th, 2010
When it comes to iPhone apps, I’m a minimalist. Until a friend suggested recently that I write about cocktail apps, I only had one on my phone: Cocktails+. It was developed in part by Ted Haigh and Martin Doudoroff, the team behind the cocktail website I frequent most: the Internet Cocktail Database, or CocktailDB.com. I like the Cocktails+ app. It’s heavy on historic drinks, it includes the source(s) for each recipe, and it’s attractive and easy to read. Honestly, though, I have only used it a handful of times. That’s because my actual favorite cocktail app is a talented bartender. I mean, who needs to consult a mobile device when you have a person in front of you who can help you choose a great drink and tell you the story behind it?
Oh right. We’re not always in bars with talented bartenders, and we’re not always in bars, period. And we don’t carry our cocktail-book libraries around with us. So I figured I’d do a little research for the team to see which cocktail apps are worthwhile for us discerning drinkers. It took me about five minutes to figure out that most of the stuff listed in the iTunes app store was unworthy (to put it kindly), unless drinkboston readers secretly yearn to possess 7,000 recipes for flavored-vodka shooters. It took me about another 30 minutes on the Google, the Facebook and the Twitter to tease out which apps the drinkerati have approved. Here are the fruits of my hard labor.
Cocktails+ $2.99. “The authoritative cocktail reference for the iPhone.” The 2,000+ recipes include mostly classics, but there are many contemporary recipes by Jamie Boudreau, Dale DeGroff and Goncalo Monteiro. Cool feature: share recipes not only via email (which most of these apps do) but also Facebook and Twitter.
Flip n’ Drink $3.99. Authors Gary and Mardee Regan, the folks behind Ardent Spirits, selected and tested the hundreds of recipes on this attractive app, and they are continually adding more from an impressive list of contributors. Cool features: cocktail recommendations based on your current selection, and “cocktail conversations” — fun facts related to each recipe. Beware: the app’s over 20MB, so I got a message saying I had to download it via a computer rather than wirelessly.
Cocktails Made Easy $2.99. Based on a solid concept: 500 recipes that you can make with just 14 different spirits (plus mixers). The recipes are from diffordsguide.com by British drinks industry guru Simon Difford. Cool feature: click on the bottles of liquor you currently have in your inventory, and get a list of the drinks you can make.
101 Cocktails $1.99. “Do I really need 14,000 cocktail recipes?” asks L.A. blogger Jimmy Patrick (Jimmy’s Cocktail Hour), who developed this blessedly streamlined app. For those times when you just want the basics, this is perfect.
Tiki+ $3.99. More than 150 authentic tiki recipes culled from Beachbum Berry’s books. Illustrated with vintage drink photos and art, the app lets you share recipes via Facebook and Twitter. NOTE: Tiki+ is currently being upgraded for iPad compatibility, but it will be back on sale soon.
Please comment if there’s a great cocktail app out there that I missed — and also if you have a go-to beer or wine app. Meanwhile, I need an app with real-time info on the best bars and up-to-date schedules of my favorite bartenders.
Tags: app, iphone
Posted in Books & resources, Cocktails | 11 Comments »
