Managing Editor Nick Altschuller, who conducted the interview, was doing double duty that day — he suggested we meet for midday drinks as he was in the midst of research for his column about embarking on a one-man revival of the martini lunch. (Nice reference to the notebook, Nick.)

Among the bartenders profiled are two of my personal faves: Emma Hollander of Trina’s Starlite Lounge and Evan Harrison of Deep Ellum. Congrats to them and all the other slingers who made this year’s cut!

Let me also heap praise upon the photographer who took this pic, Adam DeTour.

Bartender profile
Much of the Boston fine-dining scene still neglects to put the kind of pizzazz into the bar that comes out of the kitchen. Todd Maul is changing that. With his tattooed forearms, Mercury-era NASA spectacles and tendency to recite from Embury’s The Fine Art of Mixing Drinks, he doesn’t seem like the kind of guy you’d find behind the slab at one of the city’s more haute dining rooms — Ken Oringer’s Clio. But he has in fact put that little bar on the map as a destination for serious and inventive cocktails.

I first met Todd when he was honing his chops and trying to sneak vintage potions like the Lion’s Tail onto the drink menu at Rialto, in Cambridge’s Charles Hotel. When his efforts hit a wall, he moved to Clio, where he steadily gained creative license. Chef Oringer told him, “If you can think it up, and it tastes good, do it”– oh, and don’t be afraid to raid the kitchen. With that mandate, Maul does things like “use ice as a garnish.” For gin and tonics, he’ll deposit loomi — dried Middle Eastern black lime — into patterns he drills on square cubes (see above), or he’ll put a cylinder of violet-infused ice in a Todd Collins (Old Tom & Old Raj 110 gins, lemon, seltzer, Benedictine-soaked cuke) so that it slowly turns your drink bright blue while you sip. In the past couple of years, Clio has gone from a brief list of mostly vodka-based mixtures that blended into the background to a fun, 80-item menu (with retro font and graphics) of both faithful and fanciful interpretations of classic recipes. It’s like an album of Great American Songbook standards, some sung by Frank Sinatra and others sung by Bjork.

Maul’s other passion is furniture making; he studied the craft at the prestigious North Bennet Street School. He compares knowing various types of wood and how to build a table with them to knowing, for instance, different types of whiskey and how to build a cocktail with them. “Had I not gone [to North Bennett Street], I probably wouldn’t have paid attention to bartending the way I did. It’s a trade — you’ve got to work at it.”

Hometown
Kinderhook, NY.

Past bartending jobs
Rialto, Boston Park Plaza, Four Seasons.

First drink you ever had
Genessee beer. It’s an upstate New York thing.

Favorite bar in Boston other than your own
No. 9 Park. I have always liked what they do there.

The drink you most like to make
One for a regular.

The drink you least like to make
The first/last drink for someone that you know is going to be a problem.

What you drink at the end of your shift
PBR tallboy.

If you weren’t a bartender, you’d be…
A furniture maker. My shop misses me.

Most beloved bartending book
If you’ve ever sat at my bar you already know: David Embury’s Fine Art of Mixing Drinks.

The best thing about tending bar in a fine dining setting is…
The conversations (it’s a little more mellow, so you can actually hear the person across from you), and seeing the milestone events in people’s lives.

The worst thing about tending bar in a fine dining setting is…
People can be intimidated by what they perceive as the culture in these restaurants.

People drink too much ________
What I call “lifestyle beverages” — when someone orders marketing, not booze.

People don’t drink enough ________
Old Raj 110.

Unlikely drink for a cold winter night
Dr. Cocktail.

The best thing about drinking in Boston is…
I can get a drink from Joe McGuirk somewhere where they don’t mind if my kid throws something on the floor.

The worst thing about drinking in Boston is…
That you can get spoiled by the other people on this list, and realize that they only work in Boston. The standard they set doesn’t always travel.

Don’t get the wrong idea from this vintage photo in the Boston Public Library’s print & photograph collection: women are well represented behind Beantown bars, and they and their male counterparts are getting organized.

First, our city’s own chapter of the U.S. Bartenders Guild will soon be official. Corey Bunnewith of Citizen Pub, Kirsten Amman of LUPEC Boston, Alex Homans of Russell House Tavern and Rob Hoover of Upstairs on the Square are helming this effort, which right now involves finding at least 40 members with $100 for annual dues to sign on. Meanwhile, April Wachtel, bar manager of the solid new South End restaurant & bar The Gallows, has started a less formal, local (and, for now, free) concern called the Boston Bartenders Collaborative.

I never knew the USBG existed before the craft cocktail movement got going. It was founded way back in 1948, and it’s affiliated with the 50-country International Bartenders Association, itself established in 1951. USBG sponsors seem to include every spirits conglomerate known to man — Pernod Ricard, Bacardi Ltd., William Grant, etc. — as Jonathan “Cocktail Guru” Pogash indicates in his summary of a recent field trip to Boston to help spark the USBG chapter here. Bunnewith says that although these companies obviously aim to promote their brands by sponsoring Guild events, they impose no restrictions on the use of spirits from lesser-known producers.

The four USBG-Boston officers mentioned above hosted a Pernod Ricard-sponsored meet & greet just before Christmas at Russell House Tavern to drum up interest, and several bartenders and others related to the industry (including this blogger) turned out. Lucky for me and a few others around town: we get our first year’s dues waived for having successfully completed the BarSmarts program. (The USBG has different membership categories, one of which is for people who aren’t actually bartenders.)

Why should you join? One reason is career advancement. “As the Guild gains a reputation in Boston, employers will recognize that members are knowledgable and passionate about alcoholic beverages and the operations of a bar,” says Bunnewith. The USBG also has an accreditation program that is recognized worldwide, in case you decide to pack your bar tools and move to Bratislava. Other perks include product-education classes, events, the occasional field trip and invitations to participate in cocktail competitions (i.e. create cocktails for liquor companies for free as you vie to win a cool trip). In earnest, the chance to network, taste product, and go to fun events with others who take the profession seriously seem to me like excellent reasons to get involved.

Those are the same reasons people in the local biz should take a look at the Boston Bartenders Collaborative. Wachtel envisions a symbiotic relationship between USBG-Boston and her grass-roots enterprise, which is focused on education and so far has about 15 volunteer participants. Most meetings take place in one of the members’ bars during a weekday. The next one, at Craigie on Main January 10, will feature John Mayer of Craigie and Tyler Wang of Drink talking about ice and dilution in cocktails. Other topics in the works include an interactive roundtable about cocktail formulas and discussions on speed and volume, guest relations and managing inventory. (See info about participating below.)

“There’s a good part of our community that wants to learn in ways beyond just informal visits to other bars. This is a chance to build something that has never existed in Boston,” says Wachtel, adding that the Collaborative aims to “have fun and not take ourselves too seriously.”

Sure, some people might chuckle at the notion of bartenders getting together to talk about ice and inventory, but think about it: Boston barkeeps are elevating their profession and trying to create a solid talent pool in this town. I, for one, am wicked psyched about that.

For information about joining USBG-Boston, go to the group’s Facebook page or email USBGBoston@gmail.com.

Most Boston Bartenders Collaborative seminars are members-only, but select seminars will be open to the general public. To receive notifications about seminars, or for more information, email April Wachtel at april@thegallowsboston.com.

As my friend Senator John aptly tweeted during the grand finale of the year-long Cocktail Wars at Woodward Tavern in the Ames Hotel, “If you dropped a bomb on the Ames Hotel, we’d be drinking light beer and screwdrivers for months.”

Arguably Boston’s three best bartenders — Jackson Cannon of Eastern Standard and John Gertsen and Misty Kalkofen of Drink — competed against each other and Miami’s finest, John Lermayer, in a showdown that capped a series of drink-mixing battles between Boston bartenders (and sometimes their colleagues from other cities). And there to cheer the competitors on was seemingly every other bartender of note who wasn’t on the stick that night. Thankfully, no bombs were dropped. Except for this one: the guy from Miami won.

That’s right, John Lermayer, who tends bar at the Florida Room and consults for hotel bars around the world, bested his Beantown colleagues fair and square. I should know, because I was one of the judges. His winning cocktail, the Misty Morning Sour (see below), hit all the criteria admirably: quality, creativity, presentation and use of surprise ingredients — persimmon and Barenjager honey liqueur. Misty Kalkofen took second place for her mezcal-based Per Simon. In the quality department, all the cocktails got high marks on my ledger — particularly considering they were each created in an astonishing 20 minutes.

Here are some pics from the bash, plus the recipes that each of the four competitors came up with. What a pleasure it was to literally drink in their talents.

Misty Morning Sour
John Lermayer

Persimmon (a couple slices)
Strawberry (one or two)
1 1/2 oz Plymouth gin
3/4 oz Aperol
3/4 oz Barenjager
3/4 oz lemon juice
1/4 oz simple syrup
2 drops orange blossom water
Egg white

Muddle persimmon and strawberry in a mixing glass. Add remaining ingredients and dry-shake. Shake all again well over ice. Strain into cocktail glass with sliced strawberry and persimmon garnish. The name: inspired by how John imagined his fellow contestant, Misty, would feel the next morning.

Per Simon
Misty Kalkofen

Half a persimmon
2 oz Del Maguey Mezcal Vida
1/2 oz Plymouth sloe gin
1/2 oz Barenjager
1/2 oz lemon juice
1/2 oz agave nectar
1/2 oz Amontillado sherry
6 drops Bittermens grapefruit bitters
Nutmeg garnish

Muddle persimmon in a mixing glass. Add all other ingredients except nutmeg and shake well over ice. Strain into a cocktail glass and garnish with fresh grated nutmeg. The name: a play on one of the surprise ingredients and on the name of one of the judges, Simon Ford, international ambassador for Plymouth gin.

Once in a Blue Persim-moon
Jackson Cannon

Persimmon (couple slices)
1 1/2 oz Barenjager
1 oz Plymouth gin
1/2 oz lemon juice
1 egg white
Dash Peychaud’s bitters
Sparkling wine

Dry-shake first four ingredients and strain through a tea strainer. Dry-shake strained ingredients with egg white. Shake all again with ice. Strain into a champagne flute, top with Peychaud’s and sparkling wine. The name: inspired by the blue moon in the sky that evening.

Wasp Bite
John Gertsen

2 oz persimmon infused* Plymouth gin
1/2 oz lemon juice
1/2 oz Barenjager
1 tsp black pepper
Barenjager soaked persimmon skin “twist”

Muddle pepper in mixing glass. Add all ingredients except twist. Add ice, shake and double strain into a chilled coupe. Garnish with the twist. The name: a play on Drink’s peppery Bee Sting, which is itself a play on the classic Bee’s Knees.

*The Plymouth Gin was infused using a quick infusion technique known as nitrogen cavitation. Gertsen used a 1 liter iSi profi whip canister, added 375 ml of Plymouth Gin and the pulp from 4 medium-sized persimmons, and charged the canister twice with nitrogen.

Except for top photo, all photos by Mark Andrew Deley of Crammed Media.

Bartender profile
Confident, handsome and affable, Scott Marshall could’ve stayed at one of his former gigs — CityBar or Beehive, say — racking up “beloved bartender” awards and impressing the hell out of people who read Boston magazine. Instead, he got serious about mixology and joined the staff at Drink, where, as principal bartender, he has become a formidable talent. He combines a regular-guy knack for pleasing a range of human specimens with a fine-tuned palate for mixing exquisite cocktails.

Like his Drink colleague Misty Kalkofen, Marshall chose the bartending profession over the one for which he earned a master’s degree: accounting. He started down that career path not only because of innate math skills but because, growing up in rural Maine, “the person in town who made money was the accountant.” But he quickly discovered during his first job behind the stick, at the PourHouse (“class of ’99″), that tending bar was way more fun than accounting. “I never spent a day in a cubicle,” he beams.

He was working at the Oak Bar one day when Ryan Magarian of Aviation Gin came in and asked the free-pouring Marshall to make a series of measured cocktails. While Marshall was confident of his drink-making skills at that point — he had attended a James Beard Award dinner on the strength of a pomegranate-cucumber take on a Southside — this experiment with consistency and balance was eye-opening.

Once at Drink, he took full advantage of that establishment’s extensive training and advanced quickly, winning a scholarship to and acing the rigorous BAR spirits and mixology course. He can put his own spin on the complex layers of a classic tiki drink and show a 50-pound block of ice who’s boss. At the same time, he’s the guy who brings a skull full of Chartreuse to a bartending competition and who, with flirtatious gusto, fulfills the request of a group of Boston Opera House-bound cougars for six shots of tequila and one shot of chilled vodka.

Hometown
Stonington, Maine.

Past bartending jobs
Silvertone, CityBar, Beehive, Oak Bar, Cali Terra, PourHouse, Halfway Cafe.

Favorite bar in Boston other than your own
The one where a good friend is working that night.

The drink you most like to make
Old-fashioned Old Fashioned at Drink.

The drink you least like to make
Bloody Mary, anywhere, anytime.

Most memorable cocktail request
“My buddy over there left his wife for another woman. The other woman told him today that she never wants to see him again. We need two drinks … with bourbon.”

A famous person you’ve served
Paul Newman.

What you say at last call
If you’re not aware of what time it is, you don’t need another.

What you drink at the end of your shift
Reading Pennsylvania lager.

Worst bartending job you ever had
I’ve learned a lot everywhere I worked. It’s all timing.

If you weren’t a bartender, you’d be…
A beach bum.

Least-appreciated alcoholic beverage in Boston bars
Allen’s Coffee Flavored Brandy — fuck Kahlua!

Most overrated alcoholic beverage in Boston bars
Grey Goose [vodka] and Patron [tequila].

The best or worst pickup technique you’ve ever observed
Sending a girl a drink through the bartender from across the room. Grow a pair … get up and do it yourself.

The biggest myth about bartenders is…
That a customer has a chance of picking one up. I don’t know of a successful relationship that began with a customer giving their number to a bartender. We usually date each other!

It seemed to him a great pity that actors should be taught to read and write: they should learn their pieces from the lips of the poet. “Just as work is the curse of the drinking classes of this country,” he said laughing, “so education is the curse of the acting classes.”

» Project Savoy. Speaking of the Savoy, I recently got word from fellow blogger Erik Ellestad that he is but 50 recipes away from mixing all 750 cocktails in the Savoy Cocktail Book, published by the hotel in 1930. I reported on the beginning of this quest back in ’07. What fun to go back and read that post, as it records when I first became aware of Josey Packard, one of Boston’s best bartenders. (Fun fact: my shout-out in that post to Josey, who lived in San Francisco at the time, resulted in an email from her very shortly thereafter. A year later, she was working at Drink in Boston.) Erik, I do hope you’re planning a wrap party when you finally hit the finish line!

» Boston barkeeps on TV. OK, leave it to a Bostonian to put books before TV, but here’s some big news: not just one, but two Boston bartenders are, right this moment, in Los Angeles taping the third season of On the Rocks: The Search for America’s Top Bartender. Trina Sturm of Trina’s Starlite Lounge and Bill Codman of Woodward Tavern are competing against six other bartenders from around the country for the “top bartender” title and a grand prize of $100,000. Yowza! OK, so it’s a bit of a cheesy reality show sponsored by Absolut Vodka, but how can you not root for our hometown talent?

I spoke to Trina before she boarded a plane for the West Coast to see how she felt about the whole thing. She was both nervous and confident. “I’m sure of my bartending abilities, but what about when cameras are on me? The caliber of the bartenders is good this year. I don’t know how I’ll stack up against them. I know there are people better in certain aspects [of bartending], but the whole package? That’s me.” Episode 1 airs October 30 after Saturday Night Live … but not in Boston, unfortunately. So, fans of Trina and Bill will have to gather ’round the computer monitor and watch it on the web. Here’s a big, Beantown best-of-luck to both!

»”Tiki” sculpture. Hey, are you looking for a really, really special gift for the tiki enthusiast in your life or for someone who appreciates useful sculpture? Then check out these expressive, one-of-a-kind, glazed-clay vessels that are kind of a cross between tiki mugs and “grotesques” carved into medieval cathedrals. The artist is Jim McDonough of North Carolina, who, perhaps not surprisingly, is a plastic surgeon who has performed many facial-reconstruction surgeries. He also happens to be the father of Boston poet and sometime Russell House bartender Jill McDonough. The sculptures/mugs are for sale at the Boston Shaker.

Well, I’m off for a little vacation in France. Stay tuned for a post on Chartreuse and other Gallic liquid delights.

These are all fine reasons to want the job. Oh, the money can be good, too. But unless you own the bar or are very close to the person who does, you’re probably not going to find yourself behind the slab if you don’t have experience. OK, so how do you get there? Here’s some advice that comes from conversations I’ve had with career bartenders. By the way, this isn’t a step-by-step process; it’s a multi-pronged strategy.

You don’t need a license or a bartending-school diploma. There’s no such thing as a bartending license. (However, many bartenders must take the TIPS course on avoiding overserving or serving to minors.) Most bartenders don’t recommend bartending school; very few of the professionals I know have attended one. They say that while it won’t hurt your chances of getting a job, it doesn’t really prepare you for working in a real bar, and that your money and time are better spent on some of the following.

Learn all you can on your own. Get some basic bar equipment, some recommended books (Gary Regan’s Joy of Mixology and Dale DeGroff’s Craft of the Cocktail are good places to start) and some booze, watch a few videos by bar/mixology experts, and start mixing drinks at home. (Also, consider taking a short, basic mixology class at the Boston Shaker in Somerville.) This will give you a certain comfort level with pouring, measuring and shaking/stirring. Your friends and neighbors will serve as your first customers.

Take a lot of field trips. Again, this is where your bartending-school money is probably better spent — at actual bars. Go to a top-notch cocktail bar, park yourself on a stool and observe, observe, observe. Watch the bartenders’ drink-making technique, see how they multi-task and interact with guests, notice the types of spirits they use, witness them card or shut off a customer (hopefully not you).

Talk to your bartender. It should go without saying that you only do this during lulls in service. And don’t ask, “How do I do what you do?” Rather, think of specific questions like, “Why do you shake some drinks and stir others?” or “Could you tell me about the bitters you used in my drink?” or “What do you do to prep the bar for a shift?” or “How did you start tending bar?” Note: being a good-tipping regular will greatly facilitate these interactions. See: How to treat a bartender.

Get experience any way, anywhere you can. Even it it’s unpaid at first. Got an acquaintance who works for a catering company or does events where drinks are served? Offer to go along and cut limes, fetch ice, etc. Find a bar that has sleepy daytime shifts and offer to work other positions that need filling in exchange for getting a shot at a bar shift. Put feelers out to all those bartenders you’ve been getting to know as a customer. See if a bar is willing to try you out for a couple of uncompensated bar-back shifts.

Be realistic. The bartenders who are truly adept at what they do have usually been at it for several years. They have the personalities, talent and toughness it takes to stick with a job that demands long hours without a break, is physically and psychically stressful, generally offers no benefits of any kind, and involves the various hazards of late-night shenanigans. You will probably know very quickly whether you are cut out for this. That said, I don’t mean to discourage you. Give it a try. A good bartender is always in demand.

A friendly reminder that this coming tax-free weekend doesn’t just apply to TVs, leather armchairs and solid-wood shellcases for your iPad. It also applies to booze. Have your eye on a bottle of green Chartreuse VEP ($130)? Strathisla 1967 Speyside scotch whisky ($175)? Remy Martin Cognac Louis XIII Grande ($1700)? Well, grab your shopping cart and boogie down the aisle of one of these fine establishments.

» Boston wins. Damned if Boston didn’t hit it out of the park during Tales of the Cocktail in July. First of all, more Boston bar industry folk represented our city at New Orleans’ annual drinks convention than ever before. Second of all, Drink won the Grand Marnier-sponsored Barroom Brawl, besting five other top-notch cocktail bars from around the U.S. and earning the title Best Bar in America. Third of all, Drink’s Misty Kalkofen won the Pisco Sour Pentathalon and will in the near future enjoy her prize: a trip to Peru to see how desert-grown grapes turn into white brandy. Congrats to all! Liza Weisstuch offers a vivid snapshot of the competition and, more generally, the Boston slant on Tales in today’s Phoenix. Good stuff.

» Remixology. Speaking of contests, there’s a new bar celeb in town: John Mayer of Cambridge’s Craigie on Main. A relatively new member of the staff there, he wowed everyone at the Appleton Estate Rum Remixology contest earlier this week with his mixing skills, sense of humor and ability to explain how a favorite song inspired a new cocktail. His presentation involved Frankie Valli’s “Sherry Baby,” a powder-blue brocade blazer, three mixing glasses spinning on a turntable, a small disco ball, a history lesson on Jamaica’s first prime minister — Alexander Bustamante — and the year 1962. He will compete in the national finals of the competition in NYC on August 30. Go, John! Here are recipes for the Bustamante and the other semi-finalists’ tasty drinks.

» Literature. Geoff “Psycho-Gourmet” Nicholson’s fantastic essay, Drink What You Know, appeared in the New York Times’ Book Review recently. He starts by comparing the advice writers dispense about drinking to the way they depict drinking in their literature, and arrives at his thesis:

“When you think about it, rules for drinking are not so different from rules for writing. Many of these are so familiar they’ve become truisms: Write what you know. Write every day. Never use a strange, fancy word when a simple one will do. Always finish the day’s writing when you could still do more. With a little adaptation these rules apply just as well for drinking. Drink what you know, drink regularly rather than in binges, avoid needlessly exotic booze, and leave the table while you can still stand.”

Read it. And then check out the response over at Jezebel: the Reader’s Drinking Game.

» History. I was putting off going to Plymouth to learn about Pilgrims until my retirement years, but now I have a reason to go earlier. Pilgrim Hall Museum (“America’s museum of Pilgrim possessions”) is running an exhibition called “Plymouth History in a Glass: The Artifacts and Culture of Beverages and Drinking” until December 31. Silver tankards. Ceramic punch bowls. Glass tumblers. Ooh, I’m getting hot flashes. Not only that, there are two related lectures: one on historic Plymouth-area taverns on August 25 and one on September 29 called “The Design of Drinking: from the Jazz Age to the Space Age.” Far out.

» Name that bar. What would you call a bar frequented by venture capitalists, entrepreneurs and hardworking graduate students from all over the world who converge on the high-tech cluster that is Kendall Square, Cambridge? The people behind the in-the-works “Venture Cafe” are seeking a more clever name than the working title for their “place-based social networking” project. They have partnered with restaurateur Gary Strack from Central Kitchen and the Enormous Room and are scouting Kendall Square locations for a 2011 opening. With any luck the place will liven up the woefully nightlife-less neighborhood. Got a suggestion for what to call the place? Chime in on their Facebook page.

Bartender profile
Trina Sturm is a cross between a sexy stew in a Mad Men episode, a kindhearted biker-gang chick, and a diner waitress who calls you “hon” and magically appears whenever your coffee needs a warm-up. It’s a formidable combination that has won loyal fans all over the city.

Trina is the namesake of Trina’s Starlite Lounge, the bar that she and her husband Beau dreamed of owning over the many years they spent working the stick in others’ establishments. At nightclubs like CityBar, Trina learned the all-important skills of speed and diplomacy. At the Beehive she was among an all-star cast of ‘tenders who graced the opening of that artsy jazz club, and at Silvertone she meshed with owner Josh Childs’ laid-back hospitality — meshed with it so well, in fact, that they are now business partners.

As Trina sees it, she has got it made. “I work with the biggest workaholics. I consider myself smart — I just come in and bartend.” And that’s a very good thing for anyone who occupies a stool at the Starlite, especially on the parlor side, where Trina particularly shines. With efficiency and perfect posture, she exerts a den mother’s control over the chaos, at the same time taking a moment to banter with guests. She’s not a mixologist, but rather a bartender who can mix a good drink — whether it’s an Old Overholt Manhattan with a twist or a candy cane-infused brandy. And as professional as she appears, you just know there’s going to be dancing on the bartop after hours.

Hometown
East Boston/Winthrop.

Past bartending jobs
CityBar, Silvertone, Beehive.

Favorite bar in greater Boston other than your own
Eastern Standard.

Favorite bar in or near your neighborhood
Highland Kitchen.

If you weren’t a bartender, you’d be…
A mom.

The drink you’d like to serve more of
Pimm’s Cup.

The drink you’d like to serve less of
Ramos Gin Fizz.

A famous person you’ve served
Jason Varitek.

A famous person you’d love to see walk into your bar
Garrett Dutton III, better known as G. Love.

A bartender’s best friend is…
The barback.

The best thing about drinking in Boston is...
Being served by friends.

The worst thing about drinking in Boston is…
Beings over-served by friends.

Boston bar professionals, think of a song that really grabs you — one that makes you want to jump up on a table and sing into an empty beer bottle, or slow-ride in a convertible down Mass Ave., or grab a dark-haired stranger in a Buenos Aires cafe and do the tango. Translate that song into a cocktail with Appleton Estate Reserve Jamaica Rum. Submit your recipe and the tale of its musical inspiration by July 26. Why? You could win a trip to Jamaica — and global renown.

There are cocktail contests that are about chops and style, and there are cocktail contests that are about mixology and heritage. Then there’s Remixology. The brainchild of former Boston bartender Willy Shine and his consulting company, Contemporary Cocktails, Remixology mashes both traditions together — to the tune of your favorite song and featuring a quality rum. Here’s how it goes:

• Once all submissions are entered by July 26, 15 contestants will be chosen and featured on the Appleton Reserve Mixology Challenge and Contemporary Cocktails websites and in press materials.
• Five of the 15 will be selected to compete in August at Drink. This will involve “performing” your cocktail to the tune that inspired it, as well as mixing a second cocktail that is locally inspired (“No Charles River ice,” warns Willy.) Yes, you can sing and dance — but you don’t have to. Get creative. We’re not talking Tom Cruise or Coyote Ugly — you’re cooler than that.
• The top Boston finisher moves on to the finals in Manhattan August 30-31 to show bartenders from the other competing cities — NYC, Miami and San Francisco — who’s boss.
• The winner of the finals wins a red-carpet, all-expenses-paid trip to Jamaica in October to participate in the Global Showcase with bartenders from nine other countries.

How cool is that? Get all the details here. Represent for Beantown!